Friday, August 19, 2022

'A Place to Hang the Moon' by Kate Albus


Set against the backdrop of World War II, Anna, Edmund, and William are evacuated from London to live in the countryside, bouncing from home to home in search of a permanent family.

It is 1940 and Anna, 9, Edmund, 11, and William, 12, have just lost their grandmother. Unfortunately, she left no provision for their guardianship in her will. Her solicitor comes up with a preposterous plan: he will arrange for the children to join a group of schoolchildren who are being evacuated to a village in the country, where they will live with families for the duration of the war. He also hopes that whoever takes the children on might end up willing to adopt them and become their new family--providing, of course, that the children can agree on the choice.

MY THOUGHTS:

This is the best juvenile fiction I've come across in ages.

The three Pearce kids aren't terribly upset to have lost their formidable grandmother who kept them at arm's length, but it is World War Two Britain and they are now orphans without a guardian. Their family solicitor sends them out to be billeted in the countryside to fare the best they can until they are old enough to step into their inheritance. They can only hold their breath and hope that wherever they end up, they'll be allowed to stay together.

9-year-old Anna longs for a forever home with someone who really cares, yet meanwhile she's learned the effectiveness of a good story book to help her through life's rough patches. 11-year-old Edmund, with his strong sense of justice, discovers putting up with duffers and jerks is an unpalatable sort of wisdom he's forced to swallow. And poor William, who is 12 at the start, cannot remember a time when he hasn't had to call the shots for all three of them. He just wants to pass the responsibility onto somebody who isn't winging it, but senses things are destined to get far more intense for him before they ever get easier.

Their paths cross with the Forresters, whose malevolent twin sons have the wool pulled over their parents' eyes, and Mrs Griffith, who's so worn down with the cares of daily life that she's all rough edges.

Meanwhile Nora MΓΌller is a young village librarian who keeps her head down, because she has a suspicious sounding surname. Her German born hubby went off to check on his relatives at home and never returned. While Nora grapples with intense alienation and loneliness, she's deemed inappropriate as a guardian of billets and not even approached to board any kids from London. 

It's super satisfying to see home comforts finally being lavished on the very people who are way overdue for them, matching the style of Anna's current story, A Little Princess. I guess the plot contains some predictable and conventional twists, but since they're the ones I love most, I lapped them up. Warm, nourishing food, steaming hot chocolate and piles of books can keep coming, in stories and in life. I'm sure the author, Kate Albus, winks at herself when she has Anna asks Nora, 'Why are there so many stories about orphans?' since she's just added yet another. 

Overall, I think this is one the young at heart will love as much as the genuinely young, and since I read it straight through on a lazy Saturday, I must tick the bill. 

(See my review for her more recent book, Nothing Else But Miracles.)

🌟🌟🌟🌟🌟   

Friday, August 12, 2022

Trixie Belden Series 28 - 30

 28) The Hudson River Mystery

Jaws music would create a suitable backdrop for this story. Trixie spots the impossible; a triangular shark fin gliding along the Hudson River near home. She becomes a laughingstock because saltwater fish cannot inhabit their freshwater section of the river, yet she knows what she saw. Trixie picks the brains of two experts, commercial fisherman Pat Bunker and river author Thea Van Loon, who give her contradictory feedback. Meanwhile Brian is in a serious plight. His crucial college entrance work is due soon, yet he can't shake off a feeling of sickness, despair and always feeling shattered. 

* The Bob White station wagon now has three eligible drivers, since Dan has recently acquired his license, like Brian and Jim. 

* Brian hangs out along the river with a girl named Loyola Kevins, who is his Chemistry lab partner at school. They are collecting water samples for an ecological survey which could have potential environmental benefit, depending on the results. Loyola is described as a 'short skinny black girl' who lives with her grandfather. Somehow, she puts me in mind of Hermione Granger. She's the same sort of brilliant, intense student. 

* Mart teaches Bobby to use Spoonerisms; those verbal errors in which initial beginnings of words are swapped around. Bobby is so hooked on them, he can't get lo. (Oops, can't let go.)

* Honey is surprised and sympathetic when the author Thea Van Loon informs the two girls that there is not much money to be made writing books. She 'shakes her head in stunned disbelief.' I find myself rolling my eyes in sympathy with Thea in this instance, when she reflects that little rich girls like Honey are out of touch with the paltry salary authors earn. 

* Oh gosh, the Trixie Belden books are cosy escapist reads generally, but real life intrudes for poor Brian. And the Belden family is not immune from curve balls after all. The drama plays out vividly as I read it. Brian collapsing on the floor during his birthday dinner, the paramedics carrying him out on a gurney, Peter and Helen rushing to hospital after the ambulance, Mart and Trixie barely keeping a lid on their own dread and trying to pacify terrified Bobby at the same time, and Mart dashing to the phone as soon as their mother touches base with an update. Phew, it's a rude awakening to see Brian, our favourite first aid dispenser, needing drastic medical intervention himself.

* I considered not mentioning the cause of Brian's illness. But since it has nothing to do with the main shark mystery, I'll go for it. It's one of the few incidents from the series which stuck in my mind from my teens. He has arsenic poisoning, from crunching loads of Loyola's Waldorf salad, which is packed with apple seeds. I shudder at the thought of crunching all those gritty seeds myself, as Brian must have done to have had such a terrible effect on him. Perhaps she at least pulverised them, yet it doesn't sound likely. Yucky!  (Loyola's Waldorf salad won't make it into my dream Trixie Belden cookbook.)

* I appreciate the dash of black comedy, when Trixie jumps to conclusions and accuses Loyola of trying to poison Brian deliberately, since he's her most brilliant rival for the best college offers. And poor Loyola has to convince Trixie that although she's a serious and focused scholar, she wouldn't stoop to actually trying to kill her competition off.   

* This story takes place in late October, so Brian's birthday, which is said to be a full week before Halloween, can be traced to October 22nd. But since Mystery on Mead's Mountain (number 22 in the series) ended with New Year's Eve, Trixie, Honey and Di should be fifteen by now, and Mart should be sixteen. Yet they're clearly not. This is why the latter books of the series must be taken as anecdotal rather than chronological. The timing is totally messed up at this point. 

* Ah, the nostalgic old library days of the twentieth century. Trixie wants to look up information on sharks, and the librarian tells her to try to encyclopedias first, then the card catalogue. 

* Trixie teases Mart that he's ugly and their mother reminds her that the taunt might come back to bite her, since the pair of them look alike enough to be twins. Touche.  

* Trixie and Mart are roped into helping their mother can loads and loads of tomatoes. It seems Brian is now exempt to focus on his senior studies and Bobby is still too flaky to be much help. Fair enough. Middle kid power.

* I really had to laugh. Trixie is so annoying, intrusive and pesky that she drives the villain to want to kill her and Honey, just to get rid of them, a bit like swatting mosquitoes. Honestly, it's not in the baddie's best interest to dabble in murder. It's just the Trixie Belden effect to the extreme.  

* It seems Mart and Brian don't share a bedroom now (even though they clearly did in Mystery of the Emeralds). Mart has been locking himself away in his room working on a secret craft project which he's keeping from everyone until the big reveal. Presumably that includes Brian. 

* Four of the Bob Whites decide to wear Halloween costumes to their own little clubhouse gathering. Mart and Diana's homemade costumes make Trixie groan, but hers and Honey's are arguably even cornier. 

* I love this observation about the Hudson River on the eve of the storm at the start. 'Trixie stared at it for a long moment, awed by the thought of nature transforming a joy into a threat in such a short time.' Yes, never underestimate the force of nature.

* My quote of the book is this exchange between Trixie and Brian. Trixie: Doesn't she (Loyola) seem kind of inhuman to you? Brian: No, you're the one who's striking me that way!  (Haha, I love it. This bit of dialogue sums up the overall Trixie effect on many people in this book.)

29) The Mystery of the Velvet Gown

Diana gets to play the role of Juliet in the school Shakespeare play, which is a thrill for the Bob Whites, but there is some turmoil going on behind the scenes. Fellow student Jane Morgan, who badly wanted to play Juliet, resolves to make Di sorry for auditioning. Miss Darcy the drama teacher receives word that her father has been kidnapped, and she's also behaving strangely paranoid about some costumes she's borrowed for the production. Meanwhile her handsome fiance, Peter Ashbury, seems to be throwing his weight around. Can Trixie and the others get to the bottom of it all? 

* One thing is clear. After weeks of working on her speaking voice, projection and poise, Di clearly did a good enough job to have earned the part of Juliet. Miss Darcy was obviously impressed enough by her audition to have given it to her. The implicit question is whether or not her physical beauty gave her an edge if it came down to a decision between her and Jane Morgan. If they were equally competent but Diana's beauty was the deciding factor, then I guess Jane has a fair case for being disgruntled. But if Diana's gorgeous appearance wasn't taken into account at all, then poor Di suffers the fate of many pretty girls throughout history. Some people are wrongfully resentful and suspicious of the victories they so rightly earn. Oh dear, they tell me it ain't easy being beautiful. 

* Only Miss Darcy knows the answer to that one for sure, and of course she isn't saying. But Trixie reflects, 'Di is so pretty with her shiny black hair and violet coloured eyes, she'd make a perfect Juliet. She's just got to get the part!' Hey Trixie, surely you know all that has no bearing on whether or not Di can actually play the role. 

* Diana's nerves and low confidence set in instantly, which gives Jane more ammunition. Oh, how easy for anybody to gripe, 'She only got the part because of her looks,' whether it's true or not. 

* As always, the Trixie Belden novels provide some interesting background detail. We learn all about stage directions and stagecraft. 

* There is a school newspaper called The Campus Clarion. Submissions aren't open to Freshman students like Trixie, Honey and Di. Jane Morgan's brother Bill is a photographer for the paper. We've never heard that Brian, Jim or Dan ever submitted anything to the paper, so presumably they didn't. 

* Trixie compares Peter Ashbury to Robert Redford and Paul Newman; two very old heartthrobs who most readers probably wouldn't remember now. Either young Trixie has been roped into watching very ancient movies or she is indeed a product of a former era. 

* Aww, the Bobby and Reddy moments are enough to melt soft-hearted readers like myself. Real life intrudes once again, when Reddy gets knocked over by a car and breaks his leg. But after a few days with the vet, Dr David Samet, he's allowed home, and the reunion scene is a highlight of the book.  

* Brian and Mart go up to their rooms to finish their homework. Not a singular room. Just sayin'.

* Ooh, shame! The narrator refers to Miss Trask as 'the governess.' But we all know very well that Honey hasn't needed a governess for years. Miss Trask's actual current role is estate manager of the Manor House. 

* Here's an interesting bit of trivia. Nowhere throughout the story was the velvet gown described as red. But those of us with the oval design cover probably assume that it is because of the picture. 

* Okay, so the baddie is caught and Trixie gets most of the credit, but how does Di fare in the play? It's a fair question but we never find out. After all her stress and mental angst, the story ends weeks short of the big night. I think sometimes Kathryn Kenny forgets that Trixie isn't the only Bob White whose threads we readers are following.  

* My quote of the book is from Trixie, while the girls are tossing around possible theories and Honey expresses her disbelief that anyone as handsome as Peter Ashbury could possibly be a criminal. Trixie shouts, 'What's in a name? Well, what's in a face, Honey? Good looking people can be involved in crime just as easily as anyone else.' Bravo, Trix! 

30) The Mystery of the Midnight Marauder

An anonymous troublemaker who signs crime scenes as 'The Midnight Marauder' is at large in Sleepyside. Poor Mart is one of the prime suspects, since he was spotted at one of the locations and refuses to reveal why. Not only is Trixie anxious to clear her brother's name, but she's burning with curiosity to find out what he was really up to. Can the Bob Whites unmask the Marauder and also help Mart out of his jam? 

* Just so we're all clear, I looked up the definition of 'marauder' before beginning this book. It is, 'One who roams from place to place making attacks and raids in search of plunder.' That's exactly what the Sleepyside Midnight Marauder does. This menace steals odds and ends from each place, leaves a calling card in black spray paint and sends letters in advance, announcing the next target. The marauder's motivation for telling people beforehand is something the Bob Whites can't figure out. 

* Poor Mart is high on Sergeant Molinson's list of suspects. Not only was he spotted at school the night it was vandalised and robbed, but he's been stressed and preoccupied, and even lost his legendary appetite! He won't divulge why he was on the school grounds at midnight. A couple of middle aged women are fueling the fire with their certainty that the Midnight Marauder must be a teenager, although it seems to be based on prejudice rather than actual insider's knowledge.

* I've decided not to reveal Mart's secret business which is shredding his peace of mind. If you've yet to read this book, it's best to get the total surprise factor along with the other Bob Whites. Suffice to say he suspects the nefarious marauder's nocturnal activity may be indirectly his fault. 

* If the school security system was up to modern standards, I guess Mart's purpose for being there would have been on record for all to see. That's a possible factor that dates this book.    

* Sergeant Molinson is a bit of a duffer in this story. It's outrageous that he should suspect Mart in the first place. I understand professionalism demands that he must follow all leads, yet surely prior knowledge of a person's character should help him avoid wild goose chases. But wait, it gets even worse. Toward the end of the book he suspects Trixie and Honey too, of being Mart's accomplices! Come on man, wake up! 

* Having said that, I don't quite get why Mart refuses to tell Sergeant Molinson what he was really up to the night he was seen at the school. I'm sure Molinson would keep it close to his chest. We know Mart is embarrassed about the fix he's in and assumes some responsibility for the head space of the Marauder, but come on! Mart, would you rather be seen by the police as a floundering student who tried something he couldn't pull off, or as a vandal and thief? 

* Dan and Brian are both with me on this one. At different times they both give their opinions that Mart should just tell Molinson all about it and get him off his back. 

* Peter, Helen and Bobby Belden set off on a day trip, but rough weather and a freak accident holds them up for a few more days. What a crazy story awaits them when they get home!  

* Mart has another problem on his mind too. He enrolled in a Journalism class at school, but Mr Zimmerman the teacher keeps judging his material unfit to publish. I suspect Mart was always due for a rude awakening. Anyone who's tried their hand at professional writing knows that short, simple words are recommended over long, complex ones. That might be tough for our favourite wordsmith to swallow, because I don't think he can help himself. Now he probably thinks he's lousy at his passion. Poor Mart. 

* We get inside info about Crimper's Department Store, Sleepyside's grand old retro shop, and the family who run it. Old Grandpa Crimper is the retired owner who hates to relinquish the reins to his son, and causes his family a great deal of stress by doing whatever he jolly well feels like, includes joyrides in the car, although he's a menace to every other road user. Even though his family don't think he qualifies for residential care, he should arguably still be restrained from possibly causing a fatality. I'd consider him to be a ticking time bomb rather than a lovable, crusty old man.   

* There may be a couple of minor problems with credibility. Reddy follows Mart when he heads off to await the Midnight Marauder at Crimper's, and we're expected to believe that Mart manages to keep this ebullient free spirit silent and still in an enclosed space with him for a couple of hours. Even if Reddy slept for part of the time, it was such a long wait. However the premises were empty for a great deal of that time, so perhaps whines and barks wouldn't matter so much then.   

* Speaking of dogs, it appears Jim has given up on his plan to train his puppy Patch. He had such high hopes of making an obedient hound out of Patch, but it hasn't eventuated. It would seem the live wire Reddy has rubbed off on him too much.         

* Diana admits that she wrote a letter to Miss Lonelyheart, the school Agony Aunt. It comes to light that it was over her sadness about not being invited to the spring dance. I find that unbelievable! Diana has always been a magnet for hopeful wannabe boyfriends, with her beauty and skillful flirting. Perhaps what she really means is that the only guy she wanted to go with hasn't asked her (which is easier to believe, since he was preoccupied with things that must not be mentioned). Since that makes more sense, it's how I'll interpret her comments. 

* Dan goes behind the scenes and invites the school shy girl, Ruthie Kettner, to be his partner. Go Dan! In his unassuming way, he makes moves.

* Now for a quote of the book without giving anything away. It's from Mart. 'It's been just awful these last few weeks. I haven't had any idea what to do.' Just a bit of bait to get readers in the mood for this story.  

Catch up on Books 25 - 27

Next up will be Books 31 - 33

Friday, August 5, 2022

'Dombey and Son' by Charles Dickens


Dombey and Son, Charles Dickens’s story of a powerful man whose callous neglect of his family triggers his professional and personal downfall, showcases the author’s gift for vivid characterization and unfailingly realistic description.

MY THOUGHTS:  

Whew, I aim to read all the Dickens novels, but this Victorian domestic drama about the changing fortunes of the arrogant shipping magnate, Mr Paul Dombey, was almost the end of that goal.

The beginning felt promising. I bonded with two main characters until about the 200 page mark when Dickens rips them both right out of the plot. He sends one away on a fruitless voyage and kills off the other, but by this stage, I'd progressed far enough into the story to persevere, even though I felt shortchanged. (Another reviewer commented something like, 'It's times like this when we see the "dick" in Dickens.' Strong words but fair point.)

He leaves us four other main characters to fill the slow-moving bulk of the middle section, but they're all either too unpleasant or too passive for me transfer the affection I felt for the pair he nixed. 

First, of course, is Mr Paul Dombey Senior, a conceited snob who despises the general public, yet lives to impress them. He's in the position to manipulate others like puppets; employees and family alike. His petty purposes devastate several lives, yet he doesn't care. He treats his daughter like dirt and selects his second wife based on admiration of her haughty carriage, which he trusts will complement his own pomposity. Even his affection for his son is all tied up with how the boy will enable him to enhance his own image. He's rude and dismissive, basically never changes throughout the whole story, and makes decisions with the sole aim to upset people. 

He breaks up other families more than once, bosses his wife around, orders his manager do his dirty work, makes his daughter a general scapegoat, breaks off friendships on a whim and expects devotion for trifles. The list goes on. Seriously, this guy is a bad egg, which makes it incredibly difficult to sympathise with the blows of misfortune he suffers, and to maintain our interest in him over 800 pages.

Second main character is Florence, his loving, young daughter. She's one of Dickens' angelic young women who can do no wrong, but I believe he stretches saintliness to a fault in her case. How Florence can keep doggedly loving a father who treats her with contempt and emotional abuse from the moment of her birth is beyond me. He sends the young man she's fond of off to sea out of pure malice, and Florence knows it full well, yet still pines for his paternal love with such devotion. Dickens writes her character with his usual sentimental hint that we should all strive to be more like Florence, which leaves a bad taste in my mouth because in this case he seems to be recommending that we glorify Stockholm Syndrome. 

Sure, I understand that her hands were tied to a huge extent. It was the Victorian era, which meant Florence was essentially a prisoner in her father's house. It was not her inability to take action I objected to, but rather her unnaturally submissive attitude. 

Third is the haughty and scornful Edith, Dombey's second wife, who knows she's being bought, sulkily chooses to go along with the plan, then pulls off one of the biggest passive-aggressive sulks in literature. I will say this for her though, she has a breaking point and I applaud her for never considering a bad guy to be 'good.' 

The fourth main character is James Carker, Dombey's manager and right-hand man. He manipulates people's lives with the same dispassion as his employer, is an expert at subtle blackmail, and his weakness for young women of a certain appearance is his undoing.

 I often had to force myself to pick up the book, since the fortunes of these four did nothing for my curiosity, especially when they faint and scream in such melodramatic ways (or at least the females do). But I hate to think I've come to the end of a Dickens novel with nothing to recommend it, so I thought I'd try to make a list. It turns out there is plenty after all, since I came up with a dozen. 

1) Baby Paul's icy baptism day, which matches his father's personality.

2) Susan Nipper, a quick-witted spitfire with a great heart who loves her young lady, and doesn't hesitate to give the great man himself a piece of her mind. 

3) Mrs Pipchin's establishment at Brighton, with all of its weird houseplants, and young Paul's morbid fascination with her ogress appearance.

4) The theft of young Florence's clothes by 'Good Mother Brown.'

5) Walter, that cheerful, merry-hearted lad with light-footed, light-hearted approach. 

6) Carker's teeth! This gleaming white set of chompers is mentioned almost every time he appears, giving him a predatory, prowling, evil Cheshire cat vibe. Dickens really succeeded in playing on the creepiness of apparent beauty, for to Carker's Victorian peers with their chipped, missing and rotting teeth, his mouth was a masterpiece. I think those teeth are what will stick longest in my memory.

7) The final straw, when Florence runs off and subsequently makes her own decision regarding who she'll marry. High time too! And of course the fact that she actually has somewhere else to turn when her rotten father pushes her over the edge is enough to make any reader cheer.  

8) Ghoulish Mrs Skewton, Edith's mother, and her quest to stay eternally young, even though every single feature is fake. 

9) Kindly Captain Cuttle and his frenzied Masterchef efforts when Florence unexpectedly shows up on his door; juggling saucepans and frying pans everywhere. 

10) The wonderful, contemporary illustrations by Hablot K. Browne, aka Phiz.  

11) Florence's simple-hearted admirer, young Mr Toots, and his tendency to deliver one-liners that state the obvious, such as greeting Walter, who has survived a horrific shipwreck, with, 'I'm afraid you must have got very wet.' 

12) Finally, the beautiful sibling bond between Florence and young Paul was really heartwarming. 

Okay, so now I've talked myself out of regretting reading this dragging monster of a book, but I'm still baffled by all the 5-star reviews on Goodreads, not to mention Dickens' fellow Victorian author, W. M. Thackeray who reputedly despaired writing against, 'Such power as this.' I don't deny the novel is written with genius, yet I still struggled to get through it, in which case, according to my ranking criteria, I feel I can't quite give it three stars.

🌟🌟½