Wednesday, September 12, 2018

'Crime and Punishment' by Fyodor Dostoevsky

Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, is determined to overreach his humanity and assert his untrammeled individual will. When he commits an act of murder and theft, he sets into motion a story that, for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision is almost unequaled in the literatures of the world. The best known of Dostoevsky’s masterpieces, Crime and Punishment can bear any amount of rereading without losing a drop of its power over our imaginations.

Dostoevsky’s drama of sin, guilt, and redemption transforms the sordid story of an old woman’s murder into the nineteenth century’s profoundest and most compelling philosophical novel.

This is my choice for the Crime Classic category of the 2018 Back to the Classics challenge, and what could be better? I enjoyed The Brothers Karamazov, and psyched myself up for more Dostoevsky.

The title sounds reminiscent of Jane Austen but with a grim twist. That matches the hero, who's a prototype emo kid from the nineteenth century. Rodian Romanovich Raskolnikov is an impoverished Uni drop-out living (or existing) in St Petersburg. He's stand-offish, proud and resists the sympathy of his family and best friend, who all keep loving him anyway. He's perfected his, 'Leave me alone, I'm tired,' line, and even in his good moods, he's like a tinder box everyone is nervous about sparking off. He even looks the part, with his pallid complexion, and dark hair and eyes. But we're told from the start that he's devastatingly handsome.

He has his creepy smile down pat too. It popped up so often, I started making a list. To mention just a few occasions, he gives a distorted smile, a poisonous smile, a thin, ironic smile, a cold and casual smile, an odd, self-disparaging smile, and a vacant smile. He also has a silent, caustic smile, a hate-filled, supercilious smile and a malevolent smile. To cap it all off is his lost and ugly smile. The only sort never forthcoming is a friendly and open smile. So that's our guy, now on with his story.

Related imageRaskolnikov's redeeming characteristic is his concern for underdogs who can't defend themselves. But he has too much time on his hands and over-thinks way too much. He devises a terrible plan, which he forces to fit his personal ideology. Not far from him lives a mean old female pawnbroker named Alyona Ivanovna, who Raskolnikov perceives as the embodiment of everything wrong with the world. She preys on the poor and beats her feeble-minded sister. Since she's a louse in his opinion, he decides to kill her, then use her money to help the poor. He hopes to become a folk-hero like Napoleon, a person who the normal restraints of the law no longer apply to. He reasons that he'll be doing the world a favour when he exterminates Alyona. We go along with him for the ride, as he commits the crime and deals with the aftermath, which begins immediately, when her sister unexpectedly walks in.

Raskolnikov takes an interest in a girl named Sonya Marmelodov, with clear, quiet eyes, because he sees in her a like mind. Sonya is willing to sacrifice her good name for the sake of others, by resorting to prostitution to help feed her starving family. In the same way, he reasons he's become a murderer to help release the world from tyranny. She's appalled like us when she hears his analogy, but by then she's fallen for that emo charm and handsome face. So there's a romantic thread running through the book too. Sonya has a heart of gold, and some readers might think she deserves better than Raskolnikov, but since he's what she really wants, I guess you can say she earns her reward, even though an axe-murderer wouldn't be every girl's dream man.

Dostoevsky might be hinting that we need a good, sound anchor for our thoughts, especially if they tend to veer on the intense side, and run all over the place. On the last few pages, Raskolnikov starts reading the New Testament, because he respects the kind and awesome person it helped shape Sonya into. So we would hope that it might help set some boundaries and parameters for his genuine, seeking heart. Yet it makes me sad to see that even well into his sentence in Siberia, he still doesn't repent of his crime, and defends his reasons for murdering Alyona. I wonder how often this story might have sparked anything dark in other readers, who took Raskolnikov's reasoning on board and said, 'Heck yeah, I can commit murder and justify it by becoming a philanthropist.' How many readers agree with him that some types of murder should be regarded as more acceptable than others? Or is assuming the right to decide whose life is worthwhile a heinous cheek, however you choose to look at it?

Image result for raskolnikovOne main theme might be not to get carried away thinking you're anything special, because when you imagine you're different from everyone else, you probably aren't. Raskolnikov learns this in retrospect. I doubt he's even an exceptional baddie, as many terrorists throughout the years have probably shared his train of thought. When we start regarding somebody as a symbol instead of a human being, we get into very murky waters and become dangerous. ('It wasn't a person, but a principle I killed.') Some might see him as a tragic hero, but I'll always think of him as the wiry 23-year-old male who murders a defenseless old lady in her own home. Since he's so passionate about being generous and defending the weak, there's a stinking irony there. If he really wanted to be a people's hero, why not choose a more threatening figure who might have a chance of fighting back?

Other characters give us occasional relief from Raskolnikov's head space. There's his doting mother and his sister Dunya, who seems to attract sleazy middle-aged suitors like moths to a flame. Most lovable and loyal of all is his best friend Razumikhin, who has no idea what Raskolnikov has been up to. Razumikhin is cheerful, kind and talkative with some great lines, such as, 'Talking nonsense is the sole privilege mankind possesses over the other organisms. It's by talking nonsense one gets to the truth. Not one truth has been derived at without people first having talked a dozen reams of nonsense.' And after all his friend puts him through, his final verdict is, 'The fact is, that in spite of it all, you're really an excellent chap.'

I'm not sure I completely agree with Razumikhin, but the story kept me turning pages, and had me reflecting that it's all too easy for modern westerners to sit back and judge people who are physically, spiritually and emotionally destitute. Who can say what we'd be driven to do under similar circumstances to these characters? It's a stark, oppressive novel in many ways, yet offers glimpses of optimism. The head of investigation, Porfiry Petrovich (quite a cool character) tells Raskolnikov, 'I know you don't believe it, but I promise you, life will carry you through. You'll even get to like each other afterwards.' Maybe that's what we should all take on board. If there can be a future together for an axe-murderer and a prostitute, I guess there's hope for any of us to shed our perceived labels.


If you're interested in more, he's also on my list of characters who contemplate murder.


  1. I read this one earlier this year. I also listened to a BBC radio drama of it which was fantastic :)

    1. Hi Becky, I remember reading your review, which piqued my interest. The BBC drama sounds great, with all the intense happenings 😉

  2. Great review. I'm trying to remember my experience of the ending from my first review (I should reread my review!), so I cannot remember what I said, if at all, anything about Rask's lack of repentance. And I didn't say anything about it in my second review, nor do I remember that situation. That for sure is a game changer. He did appear to be leaning toward God's grace and mercy...

    Rask was surely a contradictory character. I found him likable, but his ideas and rationalities were troubling.

    I know a young man who committed murder, and he is an enigma himself. He grew up in a godly home and was taught to walk a straight and narrow path, which he did. But one day he murdered a man to "help a woman he loved." Now he is serving time, and today he is clinging to God, like Rask is learning to. He took justice into his hands, and no one can get into his head to understand how he rationalized it at all.

  3. Hi Ruth, I quite liked him too, at times. Maybe the intriguing quality of this book is that it does give normal readers a glimpse into what might drive the actions of a murderer, especially when we see the sense it makes in his own mind.

    How sad for that young man and his family. Sometimes it takes only a moment to change a whole life, and we can only guess what must pass through a person's mind.

    This would be an interesting book to return to, and I might go and read your reviews.

  4. Oooooh I've been looking forward to this review since you mentioned it the other day, and you did not disappoint!!! Hats off, lady!!! I literally lol'd at Raskolnikov's smiles; I honestly hadn't noticed when I read it, but I sure will now when I (inevitably) re-read.

    And I love the way you've deconstructed Raskolnikov's Robin Hood complex - it's ultimately a kind-of funny twist on having delusions of grandeur, isn't it? I'm still shocked at how I found Raskolnikov so *relatable* (which is not a great quality in an axe murderer, I'll admit, and I worry about what that means about my personality and mental health hahaha). He was desperate and impoverished and misguided and lost... but to me there was something universal in his anxiety, his self-fulfilling prophecies, his constant getting-in-his-own-way. I think we've all been a little Raskolnikov-y, at one point or another in our lives. I'm so glad you loved this book, too! :D

  5. Hi Sheree, so glad you enjoyed this :D Yeah, you just can't help liking the guy, and maybe you're right, it's because of that universal quality and how we might possibly all relate to him, even in the tiniest ways, without going the whole hog and committing murder. What a Robin Hood complex he had indeed! After spending such a long time with him, you can't help being glad that he got a lighter than expected sentence.

    As for the smiles, I wonder if they all come out in every translation ;D Mine was translated by David McDuff, who certainly eked out every single one for all they were worth, haha. They certainly add to Raskolnikov's character, as he pulls one out for every occasion.

    Looking forward to seeing what you have to say too.