This is the third novel in Elizabeth Enright's Melendy Quartet, and I love this original cover design of all five young protagonists, along with the two dogs. Why shouldn't Isaac and John Doe get a look in. If you begin with my reviews of The Saturdays, followed by The Four-Story Mistake, then you'll be up to this one.
MY THOUGHTS:
What I find exceptional in this vintage series is Elizabeth Enright's seasonal continuity. This installment takes place in the summer that was highly anticipated during the spring of The Four-Story Mistake. Enright's nature writing, rather than comprising mere background detail, beautifully becomes the backbone of all the unfolding events in the plot.
The main theme of this third novel is how the Melendys come to adopt a new adolescent brother named Mark, who is almost the same age as Rush. When they first meet him, Mark lives with his abusive cousin Oren, who mistreats him horribly. The manner in which circumstances release Mark from Oren's tyranny is very dramatic, but I won't spoil it.
We are at the point where some reviewers believe the Melendy Quartet departs from its simple charm, since the sordidness of real life breaks in too rudely for them. However, for me the whole point of this third novel is the contrast, and the fact that the Melendy milieu proves strong enough to withstand the dark side of life. By the end, Mark changes from a lonely, starving outcast who craves company to the happy member of a loving family. He's nourished by plenty of wholesome food, literature, music, gardening, and cheeky jokes. In short, all the things that make life good.
In a world in which we're counselled to slow down and enjoy the small things, that's exactly what the Melendys do. We can't help taking on board their refreshing influence while we immerse ourselves in these stories. (Yep, even though Rush and Mark eavesdrop on some law-breakers at an illicit booze still - horror to some readers! Come on guys, this is a pretty tame story and that incident is great fun.) Those of us who need it even receive encouragement to drop our too-high housekeeping standards.
'Gradually the house regained its normal expression: a look of reasonable order and unprosperous but homely comfort.'
The WW2 era with its restrictions continues in the background. Father acquires a government job so secret that he can't even allow himself to think about it too loudly. But holding down the home front is his brilliant brood. Mona indulges her new passion for becoming a kitchen goddess, Rush still finds inspiration to compose a stunning sonata even while racing about the district spying on crooks, and Oliver quietly conducts his own private life where butterflies and moths loom large. Observing and appreciating the others with all the energy of her gentle, affectionate heart is the lovely Randy, who can certainly never be accused of taking anything good for granted.
When Cuffy gets called away for a fortnight to help a convalescing cousin she wonders how they'll ever manage without her. Well may she ask, and the answer to that question comprises a good portion of this book.
Once again, you must start with The Saturdays, then The Four-Story Mistake, and then you're up to this one. Stay tuned for my discussion of the very last book in this series.
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